Far from “skimping,” this was less about saving money – there was always a safety net, being Sledgehammer – and more about innovation. Sledgehammer still had access to a professional studio and gear, but wanted to capture the “indie” feel of making audio on the cheap. So it might surprise you to hear the audio budget on Call of Duty: WWII was actually miniscule compared to previous games in the franchise. Say what you want about Call of Duty’s business models and repetitive story twists, but you can’t reasonably accuse the franchise of ever skimping on graphics and sound. Sledgehammer has routinely delivered quality games. Tired as we are of the setting, it deserves credit for fantastic cutscenes and set pieces. Certainly in our Call of Duty: WWII review, we felt the sights and sounds of its iconic WWII battles were its most impressive features.
When we think of the Call of Duty series, we think of high production values.
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